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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10
Papibois
1:12 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 7 6 7 100%
Bass 28 28 8 7 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 7 6 7 100%
Bass 28 28 8 7 98%
Belcore Treble 16 0 3 6 63%
Basse Bass 7 0 1 5 38%
Ténor
1		 Treble 8 0 1 5 36%
Ténor
2		 Treble 8 0 1 5 32%
Soprano
1		 Treble 7 0 1 4 16%
Soprano
2		 Treble 6 0 2 4 16%
Nemorino Treble 5 0 1 4 4%
 
Chiquilin de Bachin (Coro para Voces, Cuerdas y Vientos)
Daljin
4:01 Est. Play
Time
111 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 17 0 5 5 95%
Soprano Treble 15 0 5 5 84%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 17 0 5 5 95%
Soprano Treble 15 0 5 5 84%
Bass Bass 17 8 5 5 75%
Alto Treble 18 9 6 5 63%
Tenor Treble 18 4 5 5 58%
Violoncello
I		 Bass 16 3 2 3 36%
Flute
I		 Treble 18 0 5 5 33%
Violoncello
II		 Bass 10 4 1 5 25%
Oboe Treble 11 0 1 5 18%
Flute
II		 Treble 16 0 6 4 15%
English
Horn		 Treble 5 0 0 3 11%
 
Kyrie in E minor (Opus 17)
schoutens
9:49 Est. Play
Time
288 Measures
2,861Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 35 8 15 9 88%
Bass 36 2 15 9 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 35 8 15 9 88%
Bass 36 2 15 9 96%
Violoncello Bass 24 0 10 8 75%
Contrabass Bass 24 0 9 9 56%
Bass Bass 23 0 10 8 55%
Violin Treble 29 0 10 9 46%
Viola Treble 27 0 9 9 41%
Soprano Treble 19 0 8 8 35%
Alto Treble 19 0 7 8 30%
Tenor Bass 19 0 7 6 29%
 
HWV63A1N2 - "Mourn, ye afflicted children" in c minor
edward.maurath
5:08 Est. Play
Time
47 Measures
1,196Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
Contrabasses Bass 22 0 8 7 100%
Violas 21 0 7 6 100%
Violoncellos Bass 25 0 8 7 100%
Vln
1		 Treble 25 0 9 6 100%
Vln
2		 Treble 27 0 10 6 100%
Alto 15 0 5 4 87%
Tenor 15 0 5 4 87%
Bass Bass 22 0 11 4 85%
Soprano 19 0 9 5 85%
Oboe Treble 19 0 7 6 74%
Treble 19 0 7 6 74%
Bassoon Bass 23 0 8 5 74%
 
I Lombardi, Preludio ed Introduzione (coro: Oh nobile esempio!)
Voorburgs Operakoor
4:47 Est. Play
Time
281 Measures
2,441Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 39 99 14 8 98%
Bass 36 77 14 8 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 39 99 14 8 98%
Bass 36 77 14 8 97%
T Treble 18 17 6 7 67%
B Bass 18 8 6 7 63%
S Treble 10 8 3 5 24%
A Treble 15 8 5 5 20%
 
J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)
BSG
9:04 Est. Play
Time
216 Measures
5,056Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
Contrabass Bass 22 0 6 4 100%
Vcl Bass 22 0 6 4 100%
Alto Treble 18 0 6 6 91%
Basso Bass 19 0 6 5 86%
Soprano Treble 14 0 4 6 78%
Tenor Treble 14 0 4 5 75%
Trombone Treble 17 1 6 6 53%
Bass 21 8 6 5 57%
Viola 14 0 4 5 46%
Violin
2		 Treble 17 0 6 6 44%
Bassoon Bass 18 0 5 4 41%
Oboe Treble 10 0 3 3 29%
Violin
1		 Treble 9 0 2 1 27%
 
Aida, Atto II: Gran finale secondo (coro: Gloria all’Egitto / Triomfmars)
Voorburgs Operakoor
8:49 Est. Play
Time
267 Measures
4,091Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 42 112 20 10 97%
Bass 42 102 19 9 98%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 42 112 20 10 97%
Bass 42 102 19 9 98%
S Treble 22 0 8 10 36%
T Treble 12 0 3 8 12%
Treble 21 8 7 10 31%
B Bass 16 0 6 8 13%
Bass 17 3 6 10 30%
A Treble 19 0 6 10 30%
T 2 Treble 17 0 7 9 14%
B 2 Bass 18 0 7 8 13%
T 1 Treble 18 0 6 8 11%
B 1 Bass 16 0 7 9 11%
A 1 Treble 9 0 2 7 6%
A 2 Treble 9 0 1 7 6%
 
HWV56N26 - All we like sheep have turnèd
edward.maurath
4:32 Est. Play
Time
93 Measures
2,332Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 28 53 8 7 95%
Bass 26 21 7 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 28 53 8 7 95%
Bass 26 21 7 4 100%
Cello Bass 26 0 7 4 100%
Contrabass Bass 26 0 7 4 100%
Violin
I		 Treble 21 0 5 7 90%
Organ Treble 22 9 7 8 87%
Bass 23 10 7 6 82%
Violin
II		 Treble 25 0 7 8 87%
Soprano Treble 17 0 4 6 85%
Tenore 15 0 4 6 83%
Alto 14 2 4 7 79%
Viola 20 0 5 6 79%
Basso Bass 18 0 6 6 77%